Johann Gottfried Schadow lived in Rome with his wife Marianne from 1785 to 1787 where he studied works of antiquity in the museums and collections. His association with the Italian sculptor Antonio Canova (1757-1822) exerted the strongest influence. They were both bound by a lifelong friendship. In Schadow’s eyes, Canova’s sculpture, inspired by antiquity, exemplified emotion, naturalness and grace.
After returning home Schadow was appointed head of the Royal Sculpture Workshop in 1788, and later director of the Academy of the Arts in Berlin, where he taught the sculptural arts. Schadow subsequently executed numerous works for the court.
In his oldest son Schadow clearly saw the heir to his sculptural legacy, which he documented in a characterful portrait bust of the 18 year old. (8) He encouraged Ridolfo to send his works in marble to Berlin. Potential clients could view them in the Academy’s exhibitions and his father’s studio, by this means Schadow succeeded in selling top works from Ridolfo’s workshop to the court. The father sent him money from the sales and took care of the annual salary as sculptor to the royal court.
Silke Kiesant