Girl Tying her Sandal, 1820

Ridolfo Schadow, Girl Tying her Sandal

Marble, SPSG Skulpt.slg. 2822

In 1813/14 Ridolfo Schadow modelled the Girl Tying her Sandal (12) for the first time. The sculpture is considered one of his most popular works. Without any attributes or accessories, the motif fascinates to this day with its simplicity. In a snapshot, the artist has captured the repose of a girl, lost in thought, as she ties her sandal. A copper engraving made it widely known. Shadow executed this version of the Girl Tying her Sandal in 1820, which the Prussian King purchased and had placed in the Royal Palace.

 

A girl with a cloth draped around her hips ties the ribbons of her sandal. The only ornamentation on her lightly angled head is the elaborately braided bun.

The Girl Tying her Sandal is Shadow’s most well-known sculpture. He sculpted it five times in Carrara Marble (today: Munich, Neue Pinakothek; South Carolina, Middleton Palace; privately owned). It was also reproduced in porcelain and as a copper engraving (16). A poem has also been dedicated to it. The Girl Tying her Sandal also features prominently in the friendship picture painted by his brother Wilhelm Schadow, which depicts the Schadow brothers and the Danish sculptor Bertel Thorvaldsen (6). The work has also been immortalised as a relief on Ridolfo Schadow’s tomb (5).

The motif, in which a foot is laid on the knee of the other leg, is reminiscent of the pose from an antique bronze sculpture, the Thorn Remover (1st century BC), which has been documented in Rome since the 12th century. Contemporary works also provided inspiration for Schadow’s sculpture. In Rome in 1810, the sculptor Christian Daniel Rauch (1777-1857) sculpted a portrait of the ten year old daughter of the von Humboldt couple as seated mythological figure (Adelheid von Humboldt as Psyche, marble execution: 1826, Berlin, Tegel palace).

Sylva van der Heyden